10 Types of Comedy Archetypes

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They actually are: downers who consistently spoil the mood. Looking back, the concept of a guy dressing up as a woman to get a better job is a vaguely uncomfortable one, and its approach to feminism is badly out-dated. Take a bow, then, Emily V Gordon and Kumail Nanjiani, the real-life couple who penned an inspired-by-real-life gem that does both — and a whole lot more besides.

University of California Press. KL 'Dude, I service society by rocking. Travelling under the guise of a radio host from Kazakhstan, Cohen trawls the byways of the USA, inveigling himself into the welcoming arms of locals before shocking them with an outrageous arsenal of faked Kazakh cultural mores.

10 Types of Comedy Archetypes

How do you go about deciding on the list of the 100 best comedy movies of all time? Well, you start by asking the experts. From the old, new, mainstream and experimental, this is the definitive list of the greatest comedies ever made. For more of the best films, check out our companion lists for , , and. Could you milk me? Turns out his potential father in law Robert De Niro is a former CIA agent with a suspicious nature — and a polygraph lie-detector machine at his disposal. Stiller is on hilarious, hapless form and De Niro has never been funnier. AS 'You can't sit with us. Confronted by the school's hierarchy where popularity means everything, she finds herself infiltrating the girl clique The Plastics. Loaded with laugh-out-loud moments, the script, penned by Tina Fey, is filled with zingers. It's a film that provides genuine insight and empathy as well as a hefty dose of putdowns and comeuppances. Jackson especially proves himself a master of gallows humour. Fuck off up the model village. Think of the shock to your customers, women of culture and refinement! In his best-known feature, his plan to get an athletic acquaintance to climb a department store facade as a publicity stunt backfires, so Harold tackles the perilous ascent himself. Cue pesky pigeons and an inconvenient clock face in a beautifully constructed, very funny set-piece whose clever use of perspective creates vertiginous thrills without back projection — or a single computer pixel! Quite simply, it was a matter of timing: here was a film that, with its depiction of bourgeois boredom, teenage angst and sexual liberation not to mention those awesome Simon and Garfunkel songs absolutely nailed the mood of the late 1960s. TH 'We've been invaded by America. We're all gonna be rich! Peter Riegert plays an American lawyer dispatched by his oil-baron boss to Scotland to secure the site for their next refinery. The central relationship may be unconventional — teenage boy falls for 79-year-old concentration camp survivor — but the themes of self-discovery and universal love speak to all of us. Who are you, Seal? Less than a decade since its release, the unreconstructed boys-iness of the film already feels a bit dated our heroes start with a discussion of hardcore porn and go downhill from there , but it helps that the characters are truly sweet, hapless and well-meaning. Lovely stuff, but do try to see the silent original rather than the awkwardly narrated sound reissue. It follows a love triangle between a news-producer Holly Hunter , her good-looking anchor William Hurt and her newshound reporter Albert Brooks. Their romances and professional aspirations play out amidst the backstabbing and bitching of a true-to-life high-pressure office. Plus, it features a bonus cameo from Jack Nicholson. KL 'Dude, I service society by rocking. Rocking ain't no walk in the park, lady. Sure, it echoes 'Sister Act 2', but Richard Linklater's film pretty much defines the term 'ebullient'. It sails on a wave of pin-shap one-liners, constant heavy riffage and plucky performances from the young cast. But I sat next to the class clown and I studied him. Take a bow, then, Emily V Gordon and Kumail Nanjiani, the real-life couple who penned an inspired-by-real-life gem that does both — and a whole lot more besides. At once witty, wacky, wholesome, devious and devastatingly smart, it showcases director Preston Sturges at the absolute pinnacle of his game, offering up not just a wildly entertaining Hollywood romp but a razor sharp and explosively political examination of why comedy matters at all. A work of genius, plain and simple. And damn, Veronica Lake! Oh, and the wedding band scene is genius, pure and simple. And though several dismal cash-ins followed, quality control is still in evidence for this sequel to the first movie, with Christopher Plummer now the gem-snaffling Sir Charles and Catherine Schell battling to keep a straight face as his slinky spouse under close surveillance by a disguise-swapping Sellers. TJ 'It's not that I'm lazy, it's that I just don't care. Ron Livingston plays Pete Gibbons, a profoundly demotivated corporate employee who winds up jacking it in for a get-rich-quick scheme. TJ 'People who talk in metaphors oughta shampoo my crotch. And they rode on in the friscalating dusklight. Gwyneth Paltrow, Luke Wilson and Ben Stiller play the siblings, who function in a typically Anderson world painted in hyper-stylised strokes and grubby pastel shades. TH 'Bratwurst and shillelaghs... The largely improvised material is generally geared around character rather than out-and-out gags but the simmering neuroses and blithely inane foot-in-mouth outbursts build to a fist-biting tsunami of excruciation. Having witlessly contrived to hand over a valuable property deed to a scheming saloon owner, their attempts to make amends involve an airborne mule, an ill-fated piano and much tickling. Hulot is off for a week by the sea. Take a seat behind his camera, and you can spend it with him. Former mime Tati essentially dispenses with dialogue, but while his approach certainly draws on silent comedy, he's less interested in quick-fire slapstick than slowly escalating complications whose intricate choreography often proves more whimsical, or beautiful even, than out-and-out hilarious. Filled with sunny nostalgia and bittersweet longing, its funny-sad demeanour is quintessential Tati. The film is no bromance though — Carrey plays a manic cable guy who drags newly single Broderick into his twisted fantasy world. This is just a musical emergency! PDS 'Nobody wears beige to a bank robbery! Such is the life of Virgil Starkwell, the remarkably committed and useless criminal who, as a kid. TS 'There's a lotta things about me you don't know anything about, Dottie. This is a sophisticated watch — if a little forgiving of male foibles, and more likely to give you an attack of wry smiles than out-and-out guffaws. TJ 'I make you laugh, I'm here to fuckin' amuse you? What do you mean funny, funny how? How am I funny? I used to rub the dirty parts. Overgrown headbanger Wayne and his sidekick Garth may have started out as a pastiche of no-way-dude metalhead doofuses, but their first full-length movie goes out of its way to transform them into rounded, loveable, very nearly believable characters. He even went so far as to hire 78-year-old Ealing stalwart Charles Crichton to direct. The result is a film which, like its slippery American heroine, is madly in love with language, from tongue-teasingly delicious sarcasm to some truly outrageous swearing. That is, until you notice just how flawlessly written and ferociously performed it is. Robert De Niro wisely plays it straight as the bail bondsman tracking down mob informant Charles Grodin, who proceeds to whinge and whine all the way from New York to LA. The pace is relentless, the supporting players are brilliantly sketched and the script cuts like a scalpel. You're a virgin who can't drive. It's much more than a teen movie, however - for a film that's over 20 year old, 'Clueless' still holds a lot of cultural clout, whether it's inspiring music videos, fashion trends or on-going cries of 'As if! He shifts into another gear when his sinister murderous brother Raymond Massey enters the fray. Plotted with precision, delivered with panache, still a model of controlled comic hysteria. TJ 'He was hit by a Guinness truck. So it was quite literally the drink that killed him. What comes next is a whole lot of meddling. CC 'You are a sad, strange little man and you have my pity. Jokes and references that only grownups will 'get' elevates the story of the rivalry between toy cowboy Woody voiced by Tom Hanks and Buzz Lightyear Tim Allen , the new toy on the block. It's the perfect combination of action and adventure that packs genuine heart and buckets of lols. Dudley Moore is a sad-sack cook mooning after a waitress Eleanor Bron and Peter Cook plays the devil, who procures his soul in exchange for seven wishes. He wears his seat belt in a drive-in movie. Still, the obvious theatricality allows the performers to play to their contrasting strengths, whipping up a frenzy of love-hate exasperation underpinned by life-long friendship. It all goes horribly wrong, of course, setting off a whole series of inventive, exquisitely timed sight-gags as the hapless twosome wind up hiding out in their own attic. Short, sharp and delightful. Nicholas Cage appears as a bumbling convenience-store robber who falls in love with his prison officer Edwina Hunter. After fertility problems they decide to kidnap a just-born quintuplet. Thus starts a steamrolling caper that tumbles through a madcap depiction of the American Deep South. The vulgarity is tumultuous, the wit pointed and the performances impeccably judged. Proof that transferring a great sitcom to the big screen need not be difficult, difficult, lemon difficult. Shame about the sequels. KL I was born in Dusseldorf and that is why they call me Rolf. DA 'Best play ever, man. The grounds and environs of Rushmore Academy are at once familiar and strange, populated by bored millionaires and Scottish vagabonds, lost aquatic heroes and their grieving lovers, gruff headmasters and winsome Asian teens, and of course Max Fischer, arguably the most complex, original, loveable but infuriating movie creation of the past three decades. It would be an easy world to mock, but Allen gives it a generous, mournful, affectionate send-off that pays far richer, far funnier dividends. Is this a case of two white comedians exploiting the heroes of soul music to make themselves look cool? Or is the film actually a loving tribute to a great American art form? The truth is, a bit of both. But director Howard Hawks had the inspired brainwave of turning the male Hildy into a female firebrand played by Rosalind Russell — detonating one of the most incendiary, yet affectionate, sex-war duels in cinema history. That's what I do. This social misfit makes for a terrific underdog hero, and when he decides his skill is dancing, things get really funny. Consequently, anyone seeing this expecting wall-to-wall Sellers may be a mite disappointed. But hey, it knocks spots off the awful 2006 remake. DA The royal penis is clean, your highness. Just let your Soul Glo... Arriving in the countryside, priggish Keith Roger Sloman turns up his nose at non-free-range eggs this was 40 years ago , while his wife Candice Marie Alison Steadman might not be as floaty and submissive as she first appears. Squirm, and squirm some more. DC ' So, good news... I saw a dog today. The juxtaposition between Ferrell's Buddy, a guileless simpleton who accidentally causes havoc and destruction, and his stiff-lipped and gruff businessman of a father provides genuine moments of humour and heart. Meanwhile, director Jon Favreau delivers any cornball sentiments with an adept balance of irony and sincerity. In a world long before health and safety, here is a man literally risking life and limb to present some of the most astonishing sight gags ever performed, from ducking cannon balls to flipping railroad ties to chucking an entire, full-size locomotive off a bridge. Seven years of college down the drain. Might as well join the fucking Peace Corps. Both Ephron and Reiner sank into Hollywood slush, but they were always headed that way. And at least they left one perfect — and I do mean perfect — movie before they jumped. TH I saw Mrs Claypool first. The story, in which Groucho falls in with a moneyed has-been and has to assist a struggling opera company, plays second fiddle to an intense barrage of puns, tongue-twisters and wisecracks. This is not a film about survival: this genuinely suspenseful rom-zom-com is about respect and the getting of it. WH Would you say that I had a plethora of piñatas? His name is James Jesenthon. Co-written by Richard Pryor and co-starring Gene Wilder , it remains a riot of bad taste. John Wayne was offered a cameo role, Brooks once claimed in an interview. After reading and considering the script, the iconic Cowboy declined the opportunity. An irresistible feelgood charmer. TJ 'Help me I'm poor... Sure, there are some of the bad-taste trappings, but it more than outgrows them with its silly-but-smart script and the lively direction from 'Freaks and Geeks' legend Paul Feig. Even better, though, is the note-perfect casting. Kristen Wiig's performance as Annie is raucously hilarious her impersonation of a penis is a highlight , as is Rose Byrne, whose deadpan performance as Helen is severely underrated. Mostly, though, it works because the relationships between the women feel real and honest. AK 'No, my parents never got divorced. Although I begged them to. Not Tootsie or Toots or Sweetie or Honey or Doll. Looking back, the concept of a guy dressing up as a woman to get a better job is a vaguely uncomfortable one, and its approach to feminism is badly out-dated. Now hang on while I fix my lippy. You know the answer: four self-styled Ghostbusters ready to dash in and zap the spirits into oblivion. Framed as a slapstick sitcom and built on solid satirical foundations, Morris and his co-writers based much of their script on evidence and court transcripts relating to real cases of DIY terrorism. In the years since, the film has become a regular reference point in the news as life — tragically and comically — continues to imitate art. When he added a pinch of pathos, the results could be devastating. They must be worth their weight in gold! Billy Wilder delivers a pacy, racy cross-dressing farce, full of gags and sauce. DC Hey, want to hear the most annoying sound in the world? A time when a man was not judged by the contents of his character but on the raw, unchecked ferocity of his cologne, the lustre of his moustache and the quantity of leather-bound books that lined the mahogany shelves of his apartment. ALD 'She had golden hairs, teeth as white as pearls, and the asshole of a seven-year-old. Travelling under the guise of a radio host from Kazakhstan, Cohen trawls the byways of the USA, inveigling himself into the welcoming arms of locals before shocking them with an outrageous arsenal of faked Kazakh cultural mores. Although a damn fine comedy at heart, the film also serves as a sobering reminder of the sheer simmering level of racism and misogyny among the very same folks that got Trump elected. DA 'Your mother was a hamster and your father smelt of elderberries! Well, Reg and co. As concerned with skewering the twin pomposities of mainstream action cinema and liberal Hollywood as it is with the terrorist armies of Durkadurkastan and North Korea, the film borders on genius in its self-aware use of wooden marionettes, particularly in the notorious sex scene. Must tough to handle the weightlessness. To be this stupid, you have to be an absolute genius. What makes it stick? What follows is an anatomy of their relationship. The story is rooted in purest farce, as the Three Wise Men arrive at the wrong manger and unsuspecting everyman Brian Cohen is declared the Messiah. What a dizzying achievement this is. GT Looks like I picked the wrong week to quit sniffing glue. Leslie Nielsen steals the film as an onboard doctor. And the answer is none. Yes, our experts have cast their votes and the winner by a clear margin is Rob Reiner's genre-setting mockumentary — or, if you will, rockumentary — about England's largest-livin', heaviest-riffin', filthiest-lyric-singin', biggest-hair-havin', fluffiest-jumper-ownin' heavy rock combo. Sporting arguably the most quotable script in movie history 'no... It also, lest we forget, defined an entire genre, accidentally inventing everything from 'The Office' to '' not to mention lead axe-man Christopher Guest's entire subsequent career. Guest, Michael McKean and Harry Shearer would keep gigging as Spinal Tap for three decades — proof that they were so much more than just a joke band in a funny movie. Spinal Tap: for those about to rock, we salute you.

Characters routinely burst into song, and the music might be played for laughs as it was in The Rocky Horror Picture Show types of comedies movies also a difference cross over. These are things that most common people can relate to, and so it becomes a tension reliever to laugh at our own problems encompassed by another. Irony is portrayed through words or actions to express something completely different from the literal meaning. They xi they are: capable and ambitious individuals who are victimized by unfortunate life circumstances. This is just like funny things said unintentionally owing to slip-of-the-tongue. One of the oldest genres in film, some of the very first silent movies were comedies, as slapstick comedy often relies on visual custodes, without requiring sound. Most popular movie genres in North America Films within the drama, adventure, action and drama movie genres generated the most box office revenue in the years between 1995 and 2018. They think they are: cautious and smart enough to know the other shoe is always about to u. There are various types of comedy genres nowadays. You would come across at least one character in every show or movie who makes use of such humor.